Traducción y análisis de palabras por inteligencia artificial ChatGPT
En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:
- cómo se usa la palabra
- frecuencia de uso
- se utiliza con más frecuencia en el habla oral o escrita
- opciones de traducción
- ejemplos de uso (varias frases con traducción)
- etimología
Qué (quién) es expert en médecine légale - definición
![[[Pétain]] meeting [[Hitler]] on 24 October 1940.](https://commons.wikimedia.org/wiki/Special:FilePath/Bundesarchiv Bild 183-H25217, Henry Philippe Petain und Adolf Hitler.jpg?width=200 "[[Pétain]] meeting [[Hitler]] on 24 October 1940.")
![[[De Gaulle]] during World War II; he typically wore the uniform of a [[Brigade general]]](https://commons.wikimedia.org/wiki/Special:FilePath/De Gaulle-OWI.jpg?width=200 "[[De Gaulle]] during World War II; he typically wore the uniform of a [[Brigade general]]")
![Divide and Conquer]]'' (1943)](https://commons.wikimedia.org/wiki/Special:FilePath/Laval-shot0038.png?width=200 "Divide and Conquer]]'' (1943)")
Wikipedia
The Adjuster is a 1991 Canadian drama film directed by Atom Egoyan. It premiered at the New York Film Festival, and was invited to the Director's Fortnight program at the Cannes Film Festival. It is Egoyan's fourth feature film, and the first of his works to achieve international acclaim. The film has won five awards, as well as two other nominations upon its initial release. Egoyan based the film on a true story in 1989, when a fire burned down his parents' home. He realized how strange it could be for victims of a house fire to be emotionally dependent on insurance workers, which led to the inspiration for the project.
Egoyan promoted a book named after the same title as his film, The Adjuster, at a launch in Ottawa. It is a film analysis written by Tom McSorley, a head of the Canadian Film Institute. This book is part of an examination of Canadian cinema, in a series for the University of Toronto Press. The author goes into intricate depth about The Adjuster as he traces the genesis, production, and reception of the film. McSorley claims that it is a watershed film.
